Saturday, 29 February 2020


Karen Duling: Equal but not


Tara Faughnan: On Point

Jo Avery (UK): Shutter Speed

Carolyn Friedlander: Eads Jetty Quilt
Add caption

This is a Charity Quilt which
is also a great example of

Friday, 28 February 2020

Challenge Quilts

Lorena Uriarte: Dynamic Hypnotic
Easily pieced with striped fabric squares

Detail showing curved hand quilting

Tia S. Curtis: Berry Jam
Sewn stripes improv.

Detail showing uneven
grid quilting.

Amy Friend: Deception
"Oh what a tangled web we weave . . ."

Amy Kidd: Fractured Rainbow
Lots of Kaffe Fassett striped fabric


Thursday, 27 February 2020

Modern Traditionalism

As someone rooted in the tradition  this section obviously appeals to me and there are quite a few photos. Noticeable here as in other sections is the ubiquity of the log cabin pattern very much alive and well and metamorphosing into fresh forms.
Fade to Gray by
Daniela O'Connell


Tara Faughnan: Galactic Quilt

Isabel Munoz: Can You Get Inside?

Blair C. Stocker: Starflake

Quilt No. 24: Prairie by Shelby Skumanich

Malka Dubrowsky: Next Teardrop

Lorena Uriarte: potted Gums on Mount Agony Road

Slightly Arabic feel . . .

. . . achieved by hourglass centre
Alex O Hoffman: Cabin Fade Quilt

Acid Lime Kisses by Amanda Hancock

L Cabin by Linda Hungerford

Wednesday, 26 February 2020


Improvisation is an important aspect of the modern quilt movement and the one I am most drawn to.
Erin Suliak: Frolic
Made from "thrifted"

Tara Faughnan:
The Spaces Inbetween


Kamali Murali:
Apricot Quilt

Jen Broemel:
Getting Centered

Check out the giant
cross stitches


Patricia Young: Winding
Through It All

Tuesday, 25 February 2020

Negative Space

The use of negative space appears in most sections but there is a separate category too. For some reason I've taken only a limited number of photos none of which depict quilts with large amounts of negative space. 
I've included this because it's by a UK quilter,
Paula Steel, and it's one of at least two she has in the show.
It's called Finding Structure and is a swatch made with moving material around on a design wall.

Swatches by Heather E. Black
Designed to look like a sketch
book with overlapping

Detail: I like the freely
quilted black

Lorena Uriarte: Sakura Breeze representing the fleeting
nature of the Japanese Cherry Blossom season. She uses
just two fabrics, a Japanese yarn dyed cloth and an ombre
pink in a modern interpretation of the rail fence block.
Super binding.

Lovely curved hand quilting with central ties.

Float On by Jen Carlton Baily
She describes a magical moment lying on the grass at a summer concert when the words of the song sounded out and children in front blew bubbles.

Although hard to see she makes interesting use of negative space by piecing the white background fabrics in same way as the coloured blocks.

Monday, 24 February 2020

Handwork Section

This is the only show I know of which has a handwork section and although the modern movement has given prominence to masterful quilting whether free machine or walking foot hand quilting is present in all the categories. In the handwork section some pieces are hand pieced and machine quilted as with  two shown here.
Trippy Triangles by Joanna Marsh
English Paper Pieced and machine quilted


100 Days Down the Rabbit Hole by Jacqueline Skerrit
She made 100 blocks in 100 days using 3 colours plus gray in each block, piecing or applique then added batting and quilting.
Background blocks are "Ghost quilted" to add interest.
What a fantastic concept and arrangement.


Ice Melting by Karen Maple
Hand pieced using a new method, California, not English, paper piecing. I must investigate what this is.

Stunning machine quilts with accented by hand work.